Great Holiday gift ideas

11.28.11

So I am going to spread the joy about some holiday gift ideas I found for those of you looking for a gift for your shutter bug in your life.  I am going to make this a 3 part series just to make it not so lengthy.  And I can’t promise when they will post, but I’ll try to get them up as quickly as possible.

Let’s start backwards.  After you’ve taken all your pictures, what do you do with them…

Adobe Photoshop Elements 10.  This is an amazing little piece of software.  And right now it is 1/2 price.  Yep 50% off at both Adobe website and at Staples.com.  Expires soon so if you want to do this hurry.  (Adobe is tomorrow and Staples is the 3rd, Staples is actually the better deal you get the software in a box – Adobe is a download and if you want the box it is an extra $20.)

Why Elements you may ask…
First, easy to organize and catalog all your photos.  Next, the photo editting software has an interface for beginners to experts.  It makes preparing your images for print simple. It also makes sharing your photos straight from the software a snap, whether it is to e-mail a picture or to put it on social media.  Third, this is the software we teach because it is the easiest and best to teach. (Sorry, shameless plug)  And it is only $50 right now.  And no I do not get a kick back from Adobe, but I trust there product.

Using Photoshop Elements already?  This is actually cheaper than upgrading.  So buy new.  Silly, but true.

Next blog I’ll do is on DSLR cameras… remember Santa is coming to our studio so we will be super busy for the next few days so figure early next week.


The Barbie Effect

09.14.11

Retouching is a beautiful thing.  It can remove a blemish, it can get rid of glass glare, it can diminish the wrinkles you have spent years giving yourself.  Notice I used the word diminish.  Not completely remove.  You’ve earned those wrinkles from years of hard work, laughter and in some cases worry.  They define your face and who you are.  Now I am not saying they should not be softened or toned down, just not completely removed.

In today’s digital retouching world there is a new phenomena called the “Barbie Effect”.  It is where every wrinkle, pore and imperfection is removed leaving the person’s face to look like a Barbie doll instead of a real person.

Many people will say, fashion magazines have been doing heavy retouching for years.  Very true.  They’ll air brush 20 lbs off a model or completely remove the bags that exists under a person’s eyes.  But the purpose of a fashion magazine is to sell an idea not reality.  You can explain that your 12 year old daughter.  But how do you explain it in a local magazine?  Or in your family portrait? Or business portrait?  It makes kids, especially young teenage girls – feel like that Barbie Doll effect is reality.  Causing many young girls today to strive for the perfect look – which is not reality.

I recently found a blog called Digitally Beautiful (http://digitallybeautiful.blogspot.com/) that shows the original photo and the after effect of some serious photoshop work with celebrities and fashion magazines.  You’ll be shocked to know the “Dove – Real Women”, campaign was retouched by one of the premier retouchers of fashion photographs.  If the campaign was suppose to be real women, retouching should not have been needed.  Since there is no before and after we will know what is reality and what is the image Dove wants you to see.

So when has retouching gone to far? Removing a blemish, softening a scar so it is not prominent, removing the shine caused by a person with oily skin.  Fine.  You should see pores, you should see laugh lines in the corner of a person’s eyes, you should see freckles.  All of these things are what make up your image of who you are and how people see you.

In today’s world, image is everything.   Let your image and that of your family be the real image of who you are and not some fake reality caused by photoshop retouching.

Next week – Ode to a Photographer.


Sorry, we can’t fix you…

09.08.11

To many times, people feel they can just fix it in Photoshop later.  At the studio we cringe when people say that because not everything can be fixed in Photoshop.  Especially with digital, it is critical to get a good exposure first!  In many cases a bad exposure can not be fixed.

Let’s look at an example of a bad photo that can not be fixed in any software.

Let me explain why this image can not be fixed.  An image is made up of millions of  colored pixels.  When those pixels are not correctly captured (an under or over exposed image)and you try to adjust the image so that it is the proper exposure your digital processing software (Photoshop) has to try to guess what color the pixels are in the dark area you are lightening up or the bright area you are trying to darken.  Sometimes it does a fabulous job, but most times it does not.  That is why you will see banding (lines going through the image) or green and red dots (pixels that are being created by your software).

Let’s look at an image with a simple fix…
This was an easy fix.  The over all exposure was almost right and it just needed a little brightness and to adjust the color.  Since light traveling through water has a different hue and you can’t costom white balance (I didn’t feel like getting wet by crawling in the tank with something white) fixing the color in Photoshop is the only way, unless you have an aquarium white balance setting in your camera.

Let’s look at another example that was an easy fix…
In this image the flash was pointed in the wrong place.  Dodging the girls at the top corrected the image.  There are many fixes that are very simple.  But as you can see, getting it right in the camera is super important.

Next week’s blog will post on Monday, September 11th.  It is Gregg’s story of leaving Newark that morning on a flight back to Florida – yes he and his brother both boarded planes that morning.  Check out his story.


Beautiful Black & White

08.24.11

Some of you may have seen my Facebook post a few days ago about finding a lab while at my annul convention that prints on real black and white paper and develops in black and white chemistry.  Why is this making me salivate, let me explain.

As a photographer, one of my fondest memories was when I was in the darkroom.  The amazement as you watched your image emerge on a piece of paper in the chemistry.  It was magical.  I loved it so much, I bought an enlarger in college and turned my teeny tiny bathroom (6′x5′) in my apartment into a darkroom at home so I could continue working.  (Thank god my roommate was patience, it was our only bathroom.)

A real black and white image these days is very valuable.  In the last 12 years I have been at photographic auctions where I have watched a real black and white print sell for twice as much a giclee or digital print 3x it size.  And I am not shy, so I asked someone what made it sell for so much more.  It was a nice image but so was the digital/inkjet print.  I was told, “it is because you know it will last forever.” Enough said.

In a black and white photographic print an image is made by the oxidation of silver grains suspended in a gelatin mix that makes up the paper emulsion.  Black and white prints have been produce since the 1800’s and those images still exist.  A real black and white print also offers rich blacks and creamy whites with no color cast like you get in a digital black and white print.

Don’t be fooled by a company calling it True Black and White.  Ilford, a large company that produces photographic paper (this includes the paper that the real b&w images are printed on), created a digital paper called true black and white that is printed and processed through digital technology.  It is still a digital print.  What I found that made me so excited is a company that turns your digital file into a negative to expose the black and white paper and then hand processes it in black and white chemistry.  Hence a real black and white print.

I am send my first test images off this week and I am super excited to see the results.  Follow me on Facebook to find out the results.

Sorry no pictures this week…but you can check out our Facebook page to see pictures from our Annual Dog Days event.


Losing Our Photographic History

08.17.11

Sad, but true…the history of millions of families is being lost every second as hard drives crash, memory cards get written over and cd/dvd of your images fail to work.  As we come back from NJ, Gregg brings home with him crates of photo albums and thousands of stories (trust me there is a lot of photo albums) to go along with the photos.  As we turn each page, Gregg smiles as he thinks about the great time growing up, the plays in high school and the fun times in college.  Even better then that, the photos of his great grand parents, who came over from the old country to settle in this land.  The picture of grandma working in a cigar factory, his great grandmother hanging laundry, his mom and god mother in a metal tub.
Gregg’s mom and godmother playing in their version of a pool.

Gregg’s grandmother is pictures front and center of this photo of an old cigar factory
in Sayreville, NJ.

Why am I telling you all this, because you can’t go back.  Photographs are the history of your family.  Yes, you will have the stories and memories in your head, but how do you explain what a rotary dial phone is (we still “dial” telephone numbers) or a vinyl record (even better than that an 8-track) or a typewriter (remember typing papers, ugh.) or in a few years an incandescent light bulb will no longer be available.  As things change and progress, photographs remind us of stories of a different time.

This photograph of Daytona Beach, FL tells the story of a very different time and place.  All that remains from this photo today is the band shell and the clock tower, the rest has been destroyed for new hotels, restaurants and shops.

A journalist at the Daytona Beach News-Journal and fellow colleague when Gregg worked there, recently wrote an article about the changes in photography (yes, I borrowed Mark’s title – but I don’t think he’ll mind).  Click here for Mark’s story.  (Here is the link in case it doesn’t work

http://www.news-journalonline.com/columns/off-the-mark/2011/07/05/losing-our-photographic-memory.html)


Filters, Fads and trends

08.10.11

We are super excited by what you can do with photographs now a days.  There are so may programs out there to help you make great photographs and create fun pictures using free or inexpensive software like Photoshop Elements, Picasa, iPhoto (for my Mac friends) and Picnik.  But just because you can, doesn’t mean you should.

Wait – didn’t I just say I am excited about what you can do with a photograph?  With A photograph is the keyword.  Not every photograph and that is the twist.

I know the current trend of “over saturated” or “bright, poppy color” as my friends call it looks cool in a photo, but it should be done for a single picture as something fun and not every picture you take.  Just imagine, 10 years from now your child will need a picture of themselves for a school project and all you have is these over saturated photos.  You might get this question from your child “Mom (or dad), when did Gainesville come under a nuclear attack?”


Another popular trend in filters is the old photo look.  We do restoration at the studio and get people bringing in precious photographic memories from the 60’s & 70’s so we can restore the color.   Again, this is good to apply to one or two pictures, but it should never be done to every photograph taken.  And it should not destroy the integrity of a well-lit & exposed photograph.

So what am I trying to say – EVERYTHING in MODERATION.  Make sure when you are taking photos or having them taken for you by someone else that you make sure to get straight natural color photographs as well as the ones with some special effect done to them. Photographs give us the ability to hang on to a moment in time.  Let that moment in time be a true memory and not something with a lot of fancy filters.  You’ll thank me in 10 years.


To light or not to light, that is the question.

08.03.11

For many people the largest problem they have with photography is not know when it is okay to introduce artificial light, such as a flash.  I hear this comment all the time, “Flash looks so harsh, natural light is better”.  This is NOT true.  Using flash properly looks natural and gives an image life.  To better understand what I mean, let start by talking about what natural light really is…

Natural light can be defined as what ever light falls on your subject.  It can be beautiful and it can be super ugly.  And the really issue is to know when to use it and how to use it.


Let’s look at a picture using natural light and adding flash.  I have to give a huge thanks to Erin Sellers – who let us use her pictures for this example. Erin is a client as well as a student who took our “Taking Better Pictures” class.  She was proud to show me that she knew when to turn the flash on and when not to.  Great job Erin!

Photography can be defined as the sculpting of light.  Without light, there is no picture.  With bad light there is a bad picture.  But with good light, it is a memory you can cherish forever.  Whether it is natural or artificial, using good light for your pictures is an important part of good photography.

Next week…Filters, fads and trends.


Save Me!

07.27.11

When an image has a small exposure or color cast problem, fixing it is a snap.  Back in the days of film, your lab would make these correction for you when they were printing the image.  Now a days most places you are getting your photos printed at just hit the print button, with no color correction or density adjustment (making the image lighter or darker).

Let’s look at some examples of easy fixes in your editing software, like Photoshop.

Next week let’s take a look at natural light vs. using a flash.


What – are you perfect?

07.19.11

Okay, so for the last few weeks I have been talking about what makes a good picture.  Most of my examples of bad photographs have been from other photographers.  Many people may be asking why?  Do I never take a bad photograph -of course I do!

The difference, if I have the wrong setting on the camera when I take a picture I delete it.  Then after I have downloaded the card I immediately get rid of anything unacceptable before I back anything up.  In short – I THROW BAD PHOTOGRAPHS OUT!  A bad photograph – is not worth wasting my time on.
I have images where the flash didn’t fire, the light bounced wrong, it is over exposed or under exposed because I had the wrong setting.  All of those things happen to me, I just don’t keep them.

Also, how do you ask someone you know – can I use your photograph for an example of bad photography?  I like making people happy and this series will help people see where there images may have gone wrong without being embarrassed.

Someone else asked me why I don’t photograph bad examples for the blog series.  After all I am a photographer. :)

To really show you, I’d need to have friends and clients come in to the studio and spend hours making bad pictures.  Plus, how do I say, can you come in so I can photograph your child or family badly.  I don’t think people would be lining up outside my door to help.

Here is some examples of my bad photographs-

A good photographer know what to keep and what to throw away.  A good photographer is not going to use filters or spend time in Photoshop trying to fix an image that is badly exposed.

See I am not perfect, but as a professional I know when to keep an image and when to throw it out.


Defining Depth of Field

07.13.11

In this week’s edition of Visual Literacy 101  -  DEPTH OF FIELD

Your dictionary.com defines “Depth of Field” as a zone in which objects are in sharp focus.

Your depth of field is determined not only by your f-stop in your camera, but also the lens you are using, distance from the subject, focal length and type of camera.  I could get really technical with this subject and talk about perception and circle of confusion but that would take a semester to teach and I want you to read this blog and not be bored.  So we are going to keep it simple, albeit a little long.

Let’s start with Shallow Depth of Field…

“Shallow” depth of field is when only one small point in the image is in focus, as with nature photography or macro photography, and the background and foreground is out of focus or blurry.  Shallow depth of field tends to draw your eye toward the subject (whatever is in sharp focus) and not be confused by the surroundings.  Remember from the last Visual Literacy 101 entry that the thing that is in focus is the subject.  Therefore, being sure your depth of field includes all of what you want the subject to be is CRITICAL!

An extremely shallow depth of field is very seldom acceptable with portrait photography.  One of the biggest mistakes we see a lot of when it comes to this subject is that the point of focus is placed on the wrong area causing important features in the picture to be out of focus. (Look at the twins in the last blog post about focus, the brother is in focus and the sister is not because of shallow depth of field.)

Let me show you some examples of bad depth of field choices in a portrait situation. (Remember, we throw out images that are unacceptable immediately, so finding an example of this from our studio was not possible.  However it was very simple to go on the web and find great examples of this from other people selling themselves as “professional” photographers.)

In a group or family photo where there are multiple rows of people, it is important that the person in front is just as in focus or sharp as the person in the back.

In this picture we took from last year’s Urban Meyer Scramble for Kids, you can see that the shallow depth of field works well.  The foreground is intentionally out of focus, Drew Copeland is completely in focus and then the background is out of focus again.  This clearly shows that Drew is the subject.

This example of a group photo we shot for the Junior League last year.  As you can see, the people in the front row and the people in the back row are all in focus because we used a wide depth of field to ensure focus throughout.

Using a “deep” depth of field is also a problem.  When everything is in focus, it is very difficult to find the subject.  Knowing when and how to use depth of field properly is important.

Our motto at the studio is “Get it right in the camera!” NOT “fix it in Photoshop” like many new photographers.  Many things can be fixed in Photoshop, the question is how well?

Let’s leave it at this, depth of field is an important factor in a recipe for a good photograph.   Next week, we will add exposure to our mix…